And of course, it is not alcohol without experiencing its effects. From Eunji sipping on a glass of wine, to Yujeong downing a bottle of beer, they drink it all. Throughout the MV, Brave Girls find comfort in various types of alcohol. Essentially, they try to drink the pain away. With the Korean title aptly being 술버릇 (drinking habit), the MV tells a story of how the break up has affected Brave Girls to the point where they develop a self-destructive drinking habit. At the very most, we get Minyoung and Eunji walking together at the dead hours of the night on an overpass. Aside from that, they are alone. In other words, this is telling of an important message: grief is personal. With that, the MV is void of a group shot as they deal with their post breakup miseries individually. ![]() The quartet spend most of their time alone trying to untangle their own emotional knots. At times like this, the setting cleverly reflects their inner feelings of loneliness, blurring the line between feeling okay and not okay. In doing so, it alludes to the fact that grief creeps up on them at the darkest hours of the day. ![]() This is marked by Yuna and Minyoung’s opening scenes, the only ones captured in almost broad daylight. The entire narrative takes place between the early hours of the night till the break of dawn. The critical use of time here is highly noteworthy as shown through these carefully selected sets. They appear in dimly lit places, namely a karaoke room, a bar, a washroom, a burger restaurant, on a rooftop, and in an open car park. In doing so, they experience a range of emotions: alienation, grief, and anger, but also happiness and liberation.Ī distinct change from their last few MVs, Brave Girls trudge through a handful of scenes in “After We Ride”. ![]() Though they are way past their teenage years, Brave Girls embark on an emotional journey to piece themselves back together after calling it quits. Upon first look, the MV seems to mirror a coming-of-age film.
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